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・ Giovanni Battista Bussi (1755–1844)
・ Giovanni Battista Bussi de Pretis
・ Giovanni Battista Caccini
・ Giovanni Battista Caccioli
・ Giovanni Battista Calandra
・ Giovanni Battista Calvi
・ Giovanni Battista Canal
・ Giovanni Battista Canaveri
・ Giovanni Battista Canossa
・ Giovanni Battista Cantalicio
・ Giovanni Battista Canziani
・ Giovanni Battista Caporali
・ Giovanni Battista Caprara
・ Giovanni Battista Caproni
・ Giovanni Battista Carboni
Giovanni Battista Carlone
・ Giovanni Battista Casali
・ Giovanni Battista Casali del Drago
・ Giovanni Battista Casanova
・ Giovanni Battista Cassana
・ Giovanni Battista Cassevari
・ Giovanni Battista Castagneto
・ Giovanni Battista Castello
・ Giovanni Battista Casti
・ Giovanni Battista Castiglione
・ Giovanni Battista Cavalcaselle
・ Giovanni Battista Cavazza
・ Giovanni Battista Cavedalis
・ Giovanni Battista Caviglia
・ Giovanni Battista Ceirano


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Giovanni Battista Carlone : ウィキペディア英語版
Giovanni Battista Carlone

Giovanni Battista Carlone (1603–1684) was an Italian painter of the Baroque period, active mainly in Genoa.
==Biography==
Carlone was born and died in Genoa. He came from a family of artists: his father Taddeo, uncle, and cousins were sculptors, and his older brother Giovanni Bernardo Carlone was a painter, trained in Rome and married to the daughter of Bernardo Castello. Giovanni Bernardo, however, died at age 40.〔(Dizionario geografico-storico-statistico-commerciale degli stati del Re di Sardegna ), Volume 7, by Goffredo Casalis, Turin (1840), page 721.〕
Giovanni Battista may have had some training under Domenico Passignano.〔see Farquhar〕 He was remarkably prolific both in terms of offspring (24 children) by a single matron (Nicoletta Scorza), and paintings and frescoes; and likely these two facts were not independent, since the sheer output strongly suggests the hands of many in his paintings. His paintings throng local churches; for example, the Basilica della Santissima Annunziata del Vastato alone contains nearly 20 canvases and frescoes. However his artistic profligacy also diluted the force of individuality in the paintings which, in style, seem to occupy an imprecise provincial talent between Mannerism and Baroque. His son, Andrea Carlone was a painter.
In the middle and principal nave of the Vastato, he has represented the ''Adoration of the Magi''; the ''Entrance of Christ into Jerusalem''; the ''Resurrection''; the ''Ascension'' ; the ''Descent of the Holy Ghost''; and the ''Assumption of the Virgin''. In the same church he painted ''Presentation in the Temple'' and ''Christ preaching to the Pharisees''.

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